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DB316 Midrange EQ

DB316 Midrange EQ

Regular price 109,00 €VAT incl.
0,90 € Ecotax included
Sale price
0,90 € Ecotax included
Regular price Reference price

A Midrange Section Inherited from the Tone Hammer DNA

The DB316 carries the spirit of the famous Aguilar preamp Tone Hammer : a sculptable, musical midrange immediately useful in real situations. Where many passive basses offer no onboard control, and some 2-band preamps (bass/treble) leave the mids "fixed," the DB316 complements your rig with targeted control over the most crucial area for attack, tone, and clarity.

Designed as a mix placement tool, it can become your "always-on" EQ or an instant Plan B to change character between songs (round verse, more present chorus, deeper slap, etc.).

For Whom, Which Styles, and In What Situations?

The Aguilar DB316 is aimed at bassists who want to master their mids without complexity : from beginners seeking to understand "where the body of the sound lies" to seasoned musicians who need to adapt to a venue, backline, or dense mix. It shines in styles where the bass must remain clear: rock, funk, pop, blues, metal, gospel, and also in the studio when you want to place the bass precisely without affecting the rest of the spectrum.

On a pedalboard, it naturally sits at the start of the chain to correct the bass at the source, or before distortion to influence the grain (mids heavily condition the perception of distortion). Live, it is also an excellent "room corrector": a quick Level tweak on the right frequency and the bass regains its place.

Controls, Operation, and Pedalboard Integration

The DB316 gets straight to the point with two controls: Mid Freq selects the midrange frequency (sweep from 180 Hz to 1 kHz) and Level applies boost or cut on this band (from -17 dB to +17 dB). The result: you quickly find the problematic frequency to attenuate (boxy sound, muddy low-mids) or the area to push for better cut (pick attack, fingerstyle presence).

Its analog circuit favors a natural feel under the fingers, and the True Bypass ensures a direct signal when the effect is off. Practically, its micro format makes it easy to add a real EQ tool even on already crowded pedalboards, while maintaining a very "stage-friendly" workflow: a glance, a quick turn, and it's set.

The Sound

The DB316 does not aim to "reinvent" your bass: it emphasizes a clean and usable midrange sculpting. Boosted, it can add punch, grain, and a sense of proximity (perfect for a line that needs to lead the song). Cut, it helps recover a more open and modern sound, useful for slap or to leave space for guitars and keyboards.

The 180 Hz to 1 kHz range precisely covers the areas that make the difference: low-mids for thickness and "chest," mids for definition, upper mids for attack. The pedal responds well to playing nuances: once the right frequency is found, the Level control becomes a true character fader rather than a simple corrective.

Technical specifications

EffectsEQ, BassSettingslevel, mid freq
TechnologyAnalogTypesector
FormatPedalUseBass
InputsInstrument jackColorGreen
Outputs1 x jackPower supply includedNo
True bypassYesPower supplyDC 9 V
EQYes
CategoryBass EQDocumentationYes (depending on packaging)
ControlsLevel, Mid FreqConsumption6.5 mA
Midrange Frequency Range180 Hz to 1 kHzConnector Type2.1 mm plug
Midrange Gain-17 dB to +17 dBPolarityCenter negative

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