DPA 2012 Stereo
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- This item is covered for 3 years
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Information
Information
Manufacturer Information
DPA
https://www.dpamicrophones.com
info-fr@dpamicrophones.com
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Safety manager:
DPA France
Email: info-fr@dpamicrophones.com
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The 2000 Series, Designed for the Modern Stage
Part of the "2000" series, the 2012 is a condenser pencil microphone designed for demanding environments. Its specially developed 17 mm capsule offers the stability, consistency, and durability that touring sound engineers expect, while maintaining the precise sonic character of a condenser microphone.
For Whom and What Uses?
The 2012 is a true "Swiss Army knife" for close miking on stage and in the home studio. It excels on snare drum, hi-hat, cymbals, and percussion, as well as on acoustic guitar, guitar/bass amps, saxophone, trumpet, and other brass instruments. Its ability to handle very high sound pressure levels while capturing fine details makes it a credible alternative to dynamic microphones in many situations.
Key Features for Stage and Studio
The 17 mm pre-polarized condenser capsule delivers a linear response and fast transient image, ideal for preserving the attack of percussive instruments. The uniform cardioid ensures consistent off-axis timbre, simplifying placement and reducing bleed on busy stages.
The frequency response is linear at 30 cm, an ideal starting point for close miking. As with any directional microphone, the proximity effect should be anticipated to shape the low-frequency curve depending on the source-to-mic distance. The stereo kit offers a selection with a sensitivity tolerance of +/-1.5 dB for consistent XY/ORTF captures. Each box includes a clip, a windscreen, and a convenient zippered pouch; the stereo pair doubles these accessories in a lightweight and sturdy case.
Technical specifications
| Frequency response | 20 Hz - 20 kHz | Connection | XLR |
| Category | studio microphone | Color | Black |
| Directivity | cardioid | ||
| Type | Pre-polarized condenser microphone | Drums | snare, hi-hat, cymbals, percussion |
| Capsule | 17 mm designed for stage use | Strings and guitars | acoustic guitar, guitar and bass amplifiers |
| Proximity effect | present (related to directivity) and to be utilized depending on placement | Brass and woodwinds | saxophone, trumpet, other close miking applications |
| Stereo pair | sensitivity matching within +/-1.5 dB | Stereo kit version | 2 microphones, 2 clips, 2 windscreens, lightweight and robust zippered case |
Questions frequently asked
Is the DPA 2012 Stereo suitable for drum recording?
The 17 mm pre-polarized condenser capsule is designed to withstand high sound pressure levels. This pair is suitable for snare drum, hi-hat, cymbals, and percussion. The fast transient response preserves the attack of percussive instruments.
What stereo matching is provided for this pair?
The two microphones are selected with a sensitivity tolerance of +/-1.5 dB. This matching supports consistent recordings in XY or ORTF techniques.
What connectors does this microphone use?
Each microphone has an XLR output.
Does the cardioid pattern reduce stage bleed?
The uniform cardioid maintains tonal consistency off-axis and helps limit bleed on busy stages. The proximity effect is still present: the response is flat at 30 cm, while the bass response varies with the distance to the source.
What accessories are included in the stereo kit?
The kit includes 2 microphones, 2 clips, and 2 windshields. The set is delivered in a lightweight and robust zipped pouch.
