DPA 4011C
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Manufacturer Information
DPA
https://www.dpamicrophones.com
info-fr@dpamicrophones.com
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DPA France
Email: info-fr@dpamicrophones.com
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A classic DPA model adapted into a compact version for stage and set constraints
The DPA 4011C follows the DPA philosophy: offering high-end, faithful, and immediately usable capture in a microphone that knows how to stay out of the way. This compact version of the 4011 series emphasizes discretion and ease of integration while maintaining top-tier performance for professional applications. Where a studio condenser microphone might be too visible or bulky, the 4011C provides a more "invisible" alternative without compromising clarity.
Who is it for and what are the uses? A versatile microphone for close-miking and demanding contexts
The 4011C is a relevant choice if you work in film, television, theater, places of worship, or studio and are looking for a cardioid microphone capable of remaining discreet while delivering detailed capture. In close-miking, its directivity helps reduce crosstalk from other instruments, which facilitates mixing, especially in orchestra or stage situations with many simultaneous sources.
On a set, it is also comfortable for off-camera voices or ambiences and sound effects when microphone visibility must be minimal. In sound reinforcement, it stands out with a natural rendering and controlled presence, useful for maintaining intelligibility without harshening the high frequencies.
Design and performance: precision, SPL handling, and easy integration
Cardioid directivity: more focus, less bleed
The cardioid directivity of the DPA 4011C allows focusing the capture on the targeted source while attenuating some sounds coming from the rear. This is a concrete advantage in close-miking (strings, winds, percussion, amps, vocals) and in all configurations where better track separation and limiting microphone bleed are desired.
Dual condenser capsule: definition and coherence
Thanks to its dual condenser capsule design, the 4011C aims for fine transient reproduction and precise nuance reading. The result: a clean sound image, readable lows, and detailed highs, useful for preserving the realism of an acoustic instrument or the texture of a voice without artificial effects.
Very high SPL handling: a microphone comfortable with powerful sources
The 4011C can handle very high sound pressure levels, making it a reliable tool for sources that "hit hard": percussion, brass, very close instruments, or stage environments where levels rise quickly. This safety margin results in more confident capture and a cleaner signal, with less risk of saturation during peaks.
Visual discretion and field integration
Its matte black finish is a real asset for on-camera capture: the microphone attracts less attention and blends more easily into a set, a cluster of microphones, or a stage setup. The XLR connectivity and 48 V phantom power ensure simple integration with most microphone preamps, consoles, and professional audio interfaces.
Technical specifications
| Frequency response | 20 Hz - 20 kHz |
| Category | studio microphone |
| Directivity | cardioid |
| Connection | XLR |
| Color | Black |
| Output impedance | 100 ohms |
| Minimum load impedance | 2 kohms |
| Nominal sensitivity (+/-2 dB at 1 kHz) | 10 mV/Pa; -40 dB re. 1 V/Pa |
| Max SPL | 152 dB |
| Dynamic range | 121 dB |
| THD | less than 1 percent up to 139 dB SPL |
| Signal-to-noise ratio | 76 dB (A-weighted) |
| Self-noise | 25 dB (A-weighted) |
| Power supply | 48 V phantom power (+/-4 V) |
| Connectors | 3-pin male XLR |
| Dimensions | diameter 19 mm; length 64 mm |
| Weight | 58 g |
Questions frequently asked
Does the DPA 4011C require phantom power?
A 48 V phantom power supply (±4 V) is required through its XLR output. It connects to preamps, mixers, and interfaces that provide this power.
Does this cardioid microphone reduce onstage bleed?
The cardioid pattern attenuates sounds coming from the rear and favors the targeted source. This setup is suitable for close-miking strings, winds, percussion, amps, or vocals.
What SPL level can the 4011C handle?
With a maximum SPL of 152 dB and harmonic distortion below 1 % up to 139 dB SPL, this model supports powerful sources. It can therefore be used near percussion or brass instruments. Its dynamic range reaches 121 dB.
Is the 4011C discreet enough for video recording or theater capture?
Its matte black finish, 19 mm diameter, and 64 mm length facilitate a visually discreet integration on a set or stage.
What is the sensitivity and self-noise of this DPA microphone?
The nominal sensitivity is 10 mV/Pa, or -40 dB re. 1 V/Pa at 1 kHz. The specified self-noise is 25 dB A-weighted, with a signal-to-noise ratio of 76 dB A-weighted.



