Neumann KM 185 Black
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Essential Information About the Neumann KM 185 Condenser Microphone
Essential Information About the Neumann KM 185 Condenser Microphone
- Narrow and frequency-consistent hypercardioid directivity, ideal for isolating a source in a busy environment.
- Natural and transparent sound, designed to capture the acoustic event without unnecessary coloration.
- Very low self-noise (15 dB-A) and high max SPL (up to 142 dB) to handle both a piano and a snare drum.
- Low impedance output allowing long XLR cable runs (up to 300 m) without significant loss.
Manufacturer Information
Neumann
https://www.neumann.com
contact@sennheiser.com
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The 180 Series: Neumann's DNA in a straightforward and accessible format
The KM 185 is part of the Neumann 180 Series, a family designed to offer a faithful capture signature and high-quality manufacturing, with a simple and effective daily approach. Within this range, the KM 185 stands out for its hypercardioid directivity, particularly appreciated when controlling bleed and precise placement are paramount, both in the studio and on stage.
A microphone tailored for stage and studio whenever isolation becomes critical
Thanks to its tight directivity and lack of marked off-axis coloration, the KM 185 excels on acoustic instruments (guitar, piano, strings, winds) as well as on percussion. It is also a formidable choice for close miking a drum kit, for example capturing the snare drum while limiting hi-hat bleed. Its compact size makes it discreet, including for TV and radio sets, and its transparency suits contexts where authenticity is a priority, including classical singing.
Controlled directivity, generous dynamics, and transformerless electronics
Stable hypercardioid and reliable stereo image
The KM 185 offers frequency-independent directivity: the rear rejection at 120 degrees remains very effective, including in the low frequencies. The result: a more predictable capture, easier placement in multi-mic setups, and a cleaner stereo or surround image, with fewer comb-filter effects caused by colored off-axis responses.
Subtle brilliance and wide headroom before saturation
Its frequency response is deliberately smooth and linear, with a slight boost around 10 kHz to add air and detail without harshness. The transformerless head amplifier aims to preserve capsule integrity, with a wide dynamic range (127 dB) and excellent handling of high levels, up to 142 dB SPL (THD 0.5 percent).
Technical specifications
| Frequency response - start | 20 Hz | Directivity | hypercardioid |
| Frequency response - end | 20 kHz | Connection | XLR |
| Category | studio microphone | Color | Black |
| Type | small diaphragm condenser microphone | Signal-to-noise ratio, A-weighted | 79 dB |
| Frequency response | 20 Hz - 20 kHz | Maximum output voltage | 10 dBu |
| Sensitivity at 1 kHz into 1 kohm | 10 mV/Pa (+/-1 dB) | Supply voltage (P48, IEC 61938) | 48 V (+/-4 V) |
| Nominal impedance | 50 ohms | Current consumption (P48, IEC 61938) | 3.2 mA |
| Nominal load impedance | 1 kohm | Connector type | XLR 3 F |
| Equivalent noise level, CCIR | 24 dB | Diameter | 22 mm |
| Equivalent noise level, A-weighted | 15 dB-A | Length | 107 mm |
| Max SPL for 0.5% THD | 142 dB | Weight | 80 g |
| Signal-to-noise ratio, CCIR | 70 dB | ||
Questions frequently asked
Is the Neumann KM 185 Black suitable for the snare drum?
Its hypercardioid pattern limits hi-hat bleed in close miking. The rear rejection at 120° remains effective, including in the low frequencies. The maximum SPL handling reaches 142 dB for 0.5% harmonic distortion.
What power supply is required for this Neumann microphone?
A 48 V P48 phantom power supply with a ±4 V tolerance is required via the XLR connection. The specified current consumption is 3.2 mA.
Is this microphone suitable for classical singing and acoustic instruments?
The frequency response from 20 Hz to 20 kHz features a slight boost around 10 kHz. The A-weighted self-noise is rated at 15 dB-A, and it is noted for transparent capture of classical vocals, strings, winds, piano, and acoustic guitar.
Can the KM 185 be used in a stereo pair?
With a frequency-independent polar pattern, this microphone allows predictable placement in multi-mic setups. The lack of pronounced off-axis coloration contributes to a cleaner stereo or surround image.
What are the dimensions of the KM 185 Black?
The black body measures 107 mm in length with a diameter of 22 mm and weighs 80 g.



