Ehrlund EHR-T

A stereo variant designed to go further in the EHR range

The Ehrlund EHR-T is positioned as a stereo variant of the EHR-M series, with a "studio"-oriented approach: faithfully capturing a source while maintaining great freedom of decision during mixing. Its internal architecture is based on a core with patented dual triangular diaphragms, complemented by electronics optimized for 48 V phantom power, featuring very low noise and low consumption.

This philosophy translates into a wide and smooth reproduction, designed to be unobtrusive: a microphone aiming for definition and coherence rather than effect. In practice, the EHR-T performs well both in close miking and ambient recording, with a comfortable dynamic range to handle high levels.

For which uses? A creative stereo microphone for studio, stage, and ambient recording

Thanks to its two outputs and front/rear design, the EHR-T is tailored for sound engineers, studios, content creators, and demanding musicians who want to shape the directivity and stereo width during mixing, without relying on a single choice at the time of recording. It is particularly suitable for acoustic instruments (strings, woodwinds, piano), room miking, ensembles, as well as applications seeking a very natural sound.

Its high output signal is a tangible advantage: less gain to apply often means a quieter and cleaner chain, especially on delicate sources. It also facilitates integration with many preamps and audio interfaces, maintaining headroom before saturation.

Polar patterns, dual output, and low noise: what changes in daily use

Front/rear dual diaphragm: more control over image and space

The principle of the EHR-T is based on a dual diaphragm (front and rear) allowing the use of cardioid, bi-directional, and omnidirectional behaviors. With its two outputs via a 5-pin stereo XLR cable, you retrieve signals separately, opening the door to multiple balances: centering a source, widening an ambiance, adjusting room contribution, or modifying the proximity effect in post-production.

A wide and "smooth" reproduction for recordings that mix easily

With a frequency range announced from 7 Hz to 87,000 Hz, the EHR-T targets a very extended response: deep bass and detailed high frequencies. This profile is particularly relevant when you want to preserve air, body, and clean transients, whether on percussive instruments, strings, or ambient recordings requiring depth without harshness.

Low noise and dynamic range: a solid foundation for a professional chain

The low self-noise (equivalent noise level below 9 dBA) and dynamic range of 115 dB provide a microphone capable of handling very soft passages as well as more pronounced peaks. Add to that moderate consumption on 48 V phantom power, and you get a reliable tool for long sessions, multi-mic setups, and environments where signal cleanliness is a priority.

Technical specifications

Category	studio microphone	Connection	XLR
Directivity	omnidirectional, cardioid, bidirectional	Color	Grey

Pickup patterns	Cardioid, bi-directional, and omnidirectional	Max SPL (Peak)	0.5% THD 116 dB; 1% THD 122 dB
Frequency range	7 - 87,000 Hz	Power	48 V Phantom
Sensitivity at 1 kHz	-33 dBV / Pa (23 mV / Pa)	Consumption	4.0 mA or 2.0 mA per channel
Impedance	Handles all impedances	Materials	Aerospace-grade aluminum body, nickel-plated hardened stainless steel mesh
Equivalent noise level	below 9 dBA	Finish	Glass bead blasting
Signal-to-noise ratio	87 dBA	Dimensions	60 mm x 155 mm
Dynamic range	115 dB	Weight	345 g