Fulltone SUPA-wah
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Essential Information About the Fulltone Supa-Wah Pedal
Essential Information About the Fulltone Supa-Wah Pedal
- 5 wah voices inspired by iconic eras (Sub, Wacked, Phat, Jimi, Shaft) to cover everything from sharp funk to vintage rock, and even thicker textures.
- Matched BC109B transistors: the "sixties" heart in the style of Clyde McCoy, offering a very organic response and an ultra-musical sweep.
- Input Level control: from a clean wah to a more saturated attack, rich in harmonics and bite.
- Switchable JFET Buffer/Booster: better interaction with high-gain amps and the ability to boost volume up to +20 dB.
Manufacturer Information
Fulltone
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A "Boosted" Clyde Wah: The DNA of 60s Vox, Fulltone Style
The Supa-Wah follows the lineage of Fulltone's beloved "Clyde" wahs, themselves inspired by the legendary 60s Vox Clyde McCoy pedals. The idea is simple: to recapture the vocal quality, dynamics, and "alive" feel of the best vintage wahs, while adding genuinely useful options for a modern pedalboard. Hence the addition of two extra modes, Phat and Sub, which extend the range toward thicker, deeper, and even more expressive sounds.
In terms of design, Fulltone goes into great detail: a hand-wound MU-80 inductor (with MuMetal shielding to reduce noise), a FWP-2 potentiometer with a "vintage" feel and long lifespan, and a steel chassis designed to block as much interference as possible. The result: a wah that sounds "old school," but with the stability and consistency worthy of heavy use in both studio and live settings.
For Which Musicians and Styles?
The Fulltone Supa-Wah targets guitarists seeking an expressive wah that adapts to multiple contexts without switching pedals: edgy blues, classic rock, rhythmic funk, stoner, fusion, or even modern leads with high-gain amps. Thanks to its very distinct modes, it shifts from a round, vocal sweep to higher, sharper positions perfect for cutting through a mix.
The Sub mode is particularly deep, making the Supa-Wah an excellent candidate for bass (or for guitarists tuned low): it delivers a wide, almost "synth-like" effect in places, without losing control underfoot. Live, the built-in booster can help you stand out on solos; in the studio, the Input Level adjustment is ideal for dialing in aggressiveness and harmonic richness depending on the take.
Controls, Modes, and Design: Made for the Modern Pedalboard
At the core of the experience is a 5-position rotary selector that changes the wah's character: Sub, Wacked, Phat, Jimi, and Shaft. Each mode reorients the frequency range and sweep feel to suit a specific use. The Input Level potentiometer acts as an attack control: set low, the circuit remains very clean and "hi-fi"; set higher, you push the input and gain more grit, bite, and harmonics.
On the side, a switch activates the JFET Buffer/Booster. In practice, this is a real advantage if you place the wah before a crowded pedalboard or play through a high-gain amp: the signal retains its presence, interaction with the chain is more stable, and you can even boost the level up to +20 dB for lead passages. Finally, the Fulltone rocker offers a longer sweep than many traditional wahs, with micro-adjustable nylon pivot points to tailor the feel (softer, firmer, more "precise") according to your playing style.
The Sound
The Supa-Wah stands out with a very pronounced vocal quality and a particularly dynamic response: it finely reacts to right-hand attack, nuances, and how you "push" the pedal underfoot. The Jimi mode targets the typical grain and range of 60s wahs, with that round yet incisive character that works wonderfully on crunch and vintage fuzz tones. Shaft raises the wah range for sharper, funkier rhythms that snap and carve the groove.
The two additions really make a difference: Phat is more "singing," with generous mids and a throat-like sensation (perfect for expressive leads), while Sub goes lower, with impressive depth and expressiveness ideal for heavy chords, bass, or low-tuned riffs. The Wacked mode emphasizes a wider, more massive wah, very effective for rock and psychedelic sounds. Thanks to the shielding (MuMetal, steel chassis, grounding strap), the pedal maintains excellent noise and interference rejection, a crucial point for a wah often placed at the start of the chain.
Technical specifications
| Effects | Wah, Boost | Type | sector |
| Technology | Analog | Use | electric guitar |
| Format | Pedal | Color | White |
| Compatibility | guitar and bass | Grounding | strap connecting the bottom plate and chassis |
| 5 modes | Sub, Wacked, Phat, Jimi, Shaft | Input | 6.35 mm TS jack |
| Mode selector | rotary switch | Output | 6.35 mm TS jack |
| Control | Input Level (input level / circuit attack) | Enclosure | 16-gauge cold-rolled steel |
| Switch | Buffer/Booster JFET | Rocker | long travel |
| Buffer/Booster JFET | switchable | Pivot points | nylon, micro-adjustable |
| Boost | up to +20 dB | Width | 124 mm |
| Bypass | true bypass (3PDT switching) | Depth | 254 mm |
| Transistors | 2 matched BC109B | Height | 84 mm |
| Inductor | hand-wound Fulltone MU-80, with MuMetal shielding | Weight | 1588 g |
| Potentiometer | custom Fulltone FWP-2, triple-screen carbon track, rated for 500,000 rotations | Included accessories | manual |
Questions frequently asked
What sounds do the 5 modes of the Fulltone SUPA-wah offer?
The rotary selector offers the Sub, Wacked, Phat, Jimi, and Shaft modes. Jimi targets a sixties range, Shaft favors funk treble, while Sub goes deeper into the bass spectrum.
Is the Supa-Wah suitable for bass?
The Sub mode provides a particularly deep range, suitable for bass and low tunings. It delivers a broad effect on low notes.
What is the role of the JFET Buffer/Booster?
The side switch activates a JFET buffer/booster capable of delivering up to +20 dB. This function stabilizes the signal at the start of a pedal chain and allows raising the level for solo passages.
How to adjust the character of the wah?
The Input Level potentiometer adjusts the input level: a low setting preserves a clean response, while a higher setting enhances grit and harmonics. The long sweep of the rocker and its micro-adjustable nylon pivots also allow adapting the feel under the foot.
What are the dimensions and connectivity?
This pedal measures 124 mm wide, 254 mm deep, and 84 mm high, weighing 1,588 g. The input and output use 6.35 mm TS jacks.



