Moeck STEENBERGEN 5212 RECORDER (PEAR WOOD) - A 415Hz
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- This item is covered for 3 years
Essential Information About the Frans Brüggen Collection Recorder
Essential Information About the Frans Brüggen Collection Recorder
- Faithful to the original models from the Frans Brüggen collection, featuring aesthetics and response designed for the Baroque repertoire.
- Easy attack, including in the upper register, for a more confident and comfortable sound production.
- Clear and articulated sound, with a "typically Baroque" character, ideal both in ensembles and as a solo instrument.
- Delivered with a complete accessory pack for transport, maintenance, and handling.
Manufacturer Information
Moeck
https://www.moeck.com
info@moeck.com
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Safety manager:
MOECK Musikinstrumente + Verla
Email: info@moeck.com
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A Recorder Inspired by a Reference in Early Music
This recorder is in the spirit of historical instruments, replicating the lines and sound approach of the original models from the Frans Brüggen collection. A major figure in recorder playing and historical instrument performance, Brüggen helped bring the instrument back to prominence by emphasizing a bright tone, precise articulation, and a natural balance between registers. Practically, this translates into an instrument designed to recapture that recognizable "Baroque" timbre, with clarity that helps bring phrasing, ornaments, and dynamics to life.
For Which Musicians and Styles?
This recorder is particularly suitable for musicians from beginner to advanced levels seeking an immediate response and a sound oriented towards early music. It is especially well-suited for the Baroque repertoire (sonatas, concertos, chamber music), but also adapts very well to conservatory pedagogy and ensembles (consorts), where homogeneity and perceived tuning facilitate group playing. If you work on articulation (detached, double and triple tonguing) and style-specific attacks, the instrument effectively supports these demands without requiring excessive effort.
Sound and Design
The announced sound personality is clear and "typically Baroque": a readable timbre with a crisp attack that helps shape the note onset and maintain precision in fast passages. The highlighted strength is the ease of sound production in the upper register, a range often challenging on recorders when breath control and attack angle are not perfectly stabilized. This ease promotes better continuity between registers, cleaner articulation, and a smoother playing sensation, particularly appreciated in ensemble music.
Recommended Compatible Accessories
The recorder comes with essential accessories for daily playing and maintenance: a leather case for transport, cleaning rod and cloth for internal cleaning, cork grease for assembly, as well as a certificate and a fingering chart for immediate handling.
Technical specifications
| Level | Professional | Color | Brown |
| System | Baroque | Finishing | Natural |
| Materials | Pearwood | ||
| Type | recorder | Sound signature | clear sound with a "typically Baroque" character |
| Design | made according to the original models of the Frans Brüggen collection | Orientation | Baroque aesthetics (clear timbre, facilitated articulation) |
| Response | easy attack, including in the upper register | ||
Questions frequently asked
Is this soprano flute tuned to 415 Hz?
The indicated tuning is A 415 Hz, a reference explicitly mentioned for this model.
What fingering system does the Moeck Soprano Steenbergen 5212 use?
The system announced is Baroque. This configuration is part of the technical features of the 5212 model.
What wood is this recorder made from?
The construction is based on pearwood. The wood is paired with a natural finish and a brown tint.
Is the Moeck Steenbergen 5212 suitable for a professional level?
The professional level is indicated in the specifications. This model is thus referenced for such use.
What finish is offered on this pearwood model?
A natural finish is announced. The stated color is brown. The appearance of the pearwood is not further described in the provided information.



