Neumann TLM 67
Estimated Shipping Widget will be displayed here!
- This item is covered for 3 years
Couldn't load pickup availability
Information
Information
Manufacturer Information
Neumann
https://www.neumann.com
contact@sennheiser.com
------------------------
Safety manager:
Sennheiser electronic SE & Co.
Email: contact@sennheiser.com
Address:
The "67" Legacy: A 1960s Legend, A Modern Tube-Free Approach
In the world of studio microphones, certain numbers have become benchmarks. With the TLM 67, Neumann clearly claims the heritage of a 1960s reference: the U 67. The TLM 67 builds on an essential foundation of this lineage, starting with the K 67 capsule, and relies on a newly designed circuit aimed at recreating the "67" type sound signature while freeing itself from the constraints of a tube microphone. The idea is not to offer a copy but a coherent interpretation: a familiar tone, with the consistency and ease of use expected in a contemporary studio.
Who the TLM 67 Is For and When It Makes a Difference
The Neumann TLM 67 is aimed at sound engineers, producers, content creators, and demanding studios looking for a large-diaphragm microphone capable of covering a wide range of recordings without losing its identity. In cardioid mode, it naturally suits vocals (pop, rock, rap, voice-over), while remaining relevant on acoustic guitar, strings, brass, or amp, depending on placement. In omnidirectional mode, it becomes very interesting for more open captures, ensembles, or to preserve more naturalness and space. In bidirectional mode, it opens the door to face-to-face duo setups, targeted ambient recordings, or stereo and creative processing techniques requiring a figure-8 pattern.
Its -10 dB pad and high-pass filter make it particularly comfortable when dealing with energetic sources, close proximity, or environments sensitive to footstep noise and vibrations. The result: fewer compromises during recording and a signal easier to mix.
Key Features: Polar Patterns, Dynamic Control, and Sound Signature
K 67 Capsule: Precision, Presence, and Consistency
Equipped with a K 67 capsule, the TLM 67 continues a tradition of microphones designed to deliver a detailed and production-ready image. The large diaphragm favors expressive capture, useful for highlighting playing nuances and timbre. This foundation is especially appreciated when seeking a microphone capable of remaining musical across very different sources while maintaining a recognizable sonic identity.
Three Polar Patterns to Adapt the Capture to the Context
The polar pattern selector (omnidirectional, cardioid, bidirectional) transforms the TLM 67 into a true studio Swiss army knife. You can adjust the amount of room sound, rear rejection, or how the microphone reacts to proximity, enabling you to quickly find the right balance between intimacy, clarity, and depth. It is also an asset for optimizing recordings in imperfect rooms: choosing the polar pattern is already choosing the mix.
-10 dB Pad and High-Pass Filter: A Microphone That Remains Manageable
The -10 dB pad is ideal for preserving headroom on strong sources, preventing preamp input stage overload, and maintaining clean dynamics. The high-pass filter helps reduce unwanted noises (rumble, vibrations, light ventilation noise, overly pronounced proximity effects) directly at the source. These two functions help secure the recording and yield a signal that is more immediately "mix-ready."
A "Classic Neumann" Aesthetic Designed for the Studio
The pearl gray "classic Neumann" finish asserts the TLM 67's premium positioning and its intention: to join the reference microphones that are set up, framed, and returned to session after session. Note: the Neumann E87 shock mount is not included, leaving the choice of decoupling accessory up to your stand, environment, and workflow preferences.
Technical specifications
| Frequency response | 20 Hz - 20 kHz |
| Category | studio microphone |
| Directivity | omnidirectional, cardioid, bidirectional |
| Capsule | Large Diaphragm |
| Connection | XLR |
| Color | Grey |
| Selectable polar patterns | omnidirectional, cardioid, figure-8 |
| Required power | 48 V Phantom |
| Finish | pearl gray "classic Neumann" |
Questions frequently asked
Does the Neumann TLM 67 require phantom power?
48 V phantom power is required, with an XLR connection to a preamplifier or a compatible interface.
What polar patterns are available?
The selector offers omnidirectional, cardioid, and figure-8 bi-directional modes. The cardioid is suitable for vocal recordings, while the omnidirectional captures more of the room ambience.
Is the TLM 67 suitable for vocal recording?
Thanks to its large diaphragm K 67 capsule, this microphone is designed for pop, rock, rap vocals, and voice-over. Its cardioid pattern prioritizes the sound source placed in front of the capsule.
What are the -10 dB pad and the high-pass filter for?
The -10 dB attenuator helps manage high-energy sources and preserves headroom before the preamp. The high-pass filter reduces rumble, vibrations, and excessive proximity effect. These controls act directly at the input stage.
Is a suspension mount included with this Neumann microphone?
The Neumann E87 suspension is not included; the microphone is offered in the classic pearl grey finish.



