Oberheim TEO-5 Module
Estimated Shipping Widget will be displayed here!
- This item is covered for 3 years
The Essentials to Know About the Sequential TEO-5 Module Synthesizer
The Essentials to Know About the Sequential TEO-5 Module Synthesizer
- True Oberheim Analog Sound in desktop format: 2 VCOs + sub-oscillator per voice, SEM multimode filter, and dedicated analog overdrive.
- Poly Chain via MIDI: chain two modules to reach 10 voices perfectly integrated.
- Expressive and Modulation-Friendly: full modulation matrix, loopable envelopes, syncable LFOs, arpeggiator, and polyphonic sequencer.
- Creative Right Out of the Box: 512 presets, high-end built-in effects, and new arpeggiator features including "Spiral" and "Leapfrog".
Manufacturer Information
Oberheim
https://www.oberheim.com
------------------------
Safety manager:
Algam SAS
Email: contact@algam.net
Address:
A Compact Module That Claims Oberheim DNA
The TEO-5 Module condenses the spirit of the TEO-5 into a desktop format, designed for modern studio setups, minimalist live rigs, and mobile producers. It features the signature "OB" sound: immediate analog presence, rich timbres, and musicality that encourages playing rather than programming.Behind the acronym TEO is a nod to Thomas Elroy Oberheim and a lineage of instruments that have become benchmarks. The result: a polyphonic synthesizer accessible in ergonomics, yet deep enough to go far in sound design.
Who Is the TEO-5 Module For, and Which Styles Does It Excel In?
This module is aimed at experienced musicians as well as creators seeking their first "big" analog poly, thanks to a clear interface and immediate physical controls. It excels in synthwave, pop, techno, ambient, and film scoring: lively pads, thick basses, expressive leads, and punchy chords.In live performance, unison (up to 5 voices), polyphonic glide, and fine modulation control help transition smoothly between sounds without losing playing energy. In the studio, Poly Chain opens the door to denser arrangements while maintaining total sonic coherence.
Technical specifications
| Number of effects | 8 | Sound generator | Noise, VCO |
| Arpeggiator | Yes | Envelope | ADSR |
| Filters | 2-pole state-variable filter, 12 dB/octave, from the OB-6 | LFO | 2 per channel |
| User memories number | 256 | Accessories included | Power supply |
| Max polyphony | 5 | MIDI I/O | IN, OUT, THRU (DIN), MIDI PAR USB |
| Velocity sensitive | Yes | Inputs | USB, Expression pedal, Sustain pedal, Midi, USB Midi |
| Number of oscillators | 2 | Outputs | Midi, Headset, USB Midi, USB Type B, Stereo jack output |
| Synthesis type | Analog, VCO, Subtractive | Color | Black |
| Module type | Effects, Envelope, Filter, LFO, Oscillator, Sequencer, Utility | Sequencer | Yes |
| Category | Analog synth | Preset number | 512 |
| Number of keys | 0 | Display | OLED |
| Key format | big | Weight | 3.08 kg |
| Transposition | Yes | Dimensions (mm) | 533 x 178 x 89 |
| Aftertouch | Yes | ||
| Synthesizer type | 5-voice polyphonic (VCO/VCF) | Multi-effects | stereo delay, BBD, tape, chorus, flanger, Oberheim phase shifter, ring mod, vintage rotary, distortion, Lo-Fi, high-pass filter |
| Format | compact desktop module | Overdrive | dedicated analog |
| User interface | physical controls | Glide | polyphonic |
| Oscillators per voice | 2 analog VCOs + 1 sub-oscillator | Unison mode | 1 to 5 voices |
| Stackable waveforms | triangle, sawtooth, PWM pulse | 512 presets | 256 user + 256 factory |
| Oscillator functions | sync & through-zero FM | Program organization | 32 banks of 16 programs |
| Filter | multimode SEM with continuous sweep from low-pass to notch to high-pass | Audio outputs | 2 6.35 mm jacks (L/R) |
| Band-pass mode | dedicated | Headphone output | stereo |
| Envelopes | 2 to 5 stages (loopable) | MIDI connectivity | In, Out, Thru + USB MIDI |
| LFOs | 2, synchronizable | Pedal inputs | expression and sustain |
| Modulation matrix | 19 sources, 64 destinations, 19 slots | Power supply | internal (IEC socket) |
| "Vintage" knob | subtle variation in analog behavior | Electrical specifications | 100-240 V, 50/60 Hz, 14 W |
| Reverb | dedicated (size, pre-delay, decay, timbre) | ||
Customer reviews
Based on 1 review
- 5 stars, 1 review
- 4 stars, 0 reviews
- 3 stars, 0 reviews
- 2 stars, 0 reviews
- 1 star, 0 reviews
The review form didn't open. Please try again.
-
A safe bet... for the price
Automatically translated
No reviews match this filter.
Reviews can't be loaded right now. Please try again.
Automatically translated
Questions frequently asked
What polyphony does the Oberheim TEO-5 Module offer?
The polyphony reaches 5 voices, with a unison mode that can combine up to 5 voices. Polyphonic glide is also available for note transitions.
Does the SEM filter allow the creation of pads and percussive sounds?
The 2-pole 12 dB/octave state-variable filter, derived from the OB-6, continuously sweeps from low-pass to notch and then high-pass. A dedicated band-pass mode allows working on airy pads as well as more percussive sequences.
What MIDI connections are available?
Connectivity includes MIDI DIN In, Out, and Thru ports, as well as MIDI via USB. Inputs for expression and sustain pedals are also provided.
What effects are integrated into the module?
Eight effects are integrated, including stereo delay, chorus, flanger, Oberheim phase shifter, ring modulation, distortion, and Lo-Fi.
Can polyphony be extended with multiple modules?
The Poly Chain function is easily set up via MIDI to create extended polyphony configurations. The memory holds 512 presets, split between 256 factory sounds and 256 user slots. The modulation matrix offers 19 sources, 64 destinations, and 19 slots.



