Se Electronics SE7

A "pencil mic" designed for modern studio recording

Within the large family of condenser microphones, small diaphragms have become essential whenever fidelity, definition, and natural detail reproduction are required. Their slim format facilitates placement (even in tight setups), and their behavior on attacks makes them highly valued tools for demanding recordings. This model follows that logic: a compact, cardioid studio mic, powered by 48V phantom power, designed to deliver clean and controlled capture across a wide range of sources.

Who is it for and what are its uses?

This small diaphragm condenser microphone is aimed both at home studio users looking to step up their recording quality and at sound engineers, studios, and content creators seeking a versatile and easy-to-integrate mic. The cardioid directivity allows for more confident work in untreated rooms by refocusing the listening on the instrument while maintaining a coherent sound image.
It excels particularly on acoustic guitars, ukuleles, mandolins, bowed or plucked strings, as well as on percussion (shaker, congas, cajon) and close-miking situations requiring definition. As drum overheads or on hi-hat, it helps achieve an articulate sound with good transient clarity. Paired, it can also be used to create precise stereo recordings (depending on your placement technique and room acoustics).

Key features: control, dynamics, and easy integration

Small diaphragm: clarity, detail, and transients

Thanks to its small diaphragm design, this mic aims for precise reproduction of nuances and excellent transient response. The frequency response from 20 to 20,000 Hz covers the entire useful spectrum, with detailed harmonic reproduction, which is valuable for adding air and clarity in a mix without forcing EQ.

Cardioid directivity: cleaner capture in real environments

The cardioid pattern is an effective choice for most studio and home studio situations: it emphasizes the source facing the mic and helps reduce side and rear sounds. The result is a more usable recording, especially when the room is not perfectly treated or when multiple sources play simultaneously.

20 dB pad and high SPL tolerance: ready for powerful sources

The 0 dB / 20 dB attenuator pad is an immediate asset to avoid clipping when the source is very close or very dynamic. With a maximum sound pressure level of 136 dB SPL (0 dB pad) and up to 156 dB SPL (20 dB pad), this mic can handle demanding uses: percussion, snare, overheads, brass, or certain amp recordings, while maintaining a clean and controlled signal.

48V phantom power: compatible with most setups

This mic requires 48V phantom power, standard on most audio interfaces, mic preamps, consoles, and modern recorders. Its sensitivity of 19 mV/Pa (-34.5 dBV) provides a comfortable level with a decent preamp, leaving headroom to manage dynamics, especially when the pad is engaged on very strong sources.

Compact format: easy and discreet placement

Measuring 120 x 23 mm and weighing only 128 g, it is easy to mount on a stand, above a kit, in front of a guitar, or in areas where space is limited. This compactness helps quickly find the "sweet spot" without disturbing the musician and facilitates fine adjustments of distance and angle, which are crucial for the final tonal character.

Technical specifications

Frequency response - start	20 Hz	Directivity	cardioid
Frequency response - end	20 kHz	Connection	XLR
Category	studio microphone	Color	Black

Frequency response	20 - 20,000 Hz	Attenuator pad	0 dB, 20 dB
Sensitivity	19 mV/Pa (-34.5 dBV)	Dimensions (H x D)	120 x 23 mm
Maximum sound pressure level	136 / 156 dB SPL (0/20 dB Pad)	Weight	128 g