Golden Age Audio FC4
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Manufacturer Information
Golden Age Audio
https://www.goldenageaudio.com
sales@raddist.com
------------------------
Safety manager:
Hyperactive Audiotechnik GmbH
Email: info@hyperactive.de
Address:
An Essential "Small Capsule" Designed to Multiply Successful Takes
The FC 4 fits into the great tradition of small diaphragm cardioid condenser microphones: a staple format in studios to capture the attack, air, and definition of an instrument. While many entry-level models sacrifice finesse or quickly increase background noise, the FC 4 relies on low-noise discrete Class A electronics and a transformerless circuit to maintain a clean and usable sound image for mixing.
Its real strength is its "Swiss Army knife" logic: a microphone that can be multiplied in a collection to cover varied needs (stereo pairs, overheads, close miking), while remaining consistent from session to session.
Who Is the FC 4 For, and When to Use It?
The FC 4 is aimed at home studios, rehearsal studios, schools, service providers, and musicians who want a versatile condenser microphone to record and amplify with excellent value for money. Thanks to its high sensitivity and extended response, it highlights transients and nuances, particularly useful on strings and percussion.
When recording acoustic guitar, it emphasizes the pick's clarity and dynamics. On acoustic piano, it reproduces harmonic complexity and playing details. In front of a guitar amp, it handles both clean articulated tones and dense distortion, preserving attack and good clarity.
Key Features: Control of Low Frequencies, Handling High SPLs, and Polar Patterns
High-pass filter: cleaner lows, easier to mix
The built-in high-pass filter helps reduce vibrations, handling noise, stage rumble, and proximity effect. The result is a cleaner recording from the start, with fewer heavy corrections afterward, especially on guitars, overheads, acoustic instruments, and vocals.
-10 dB pad: more headroom on powerful sources
When the source is very loud (close amp, percussion, brass, stage), the pad prevents upstream clipping and increases safety margin. Combined with its high maximum SPL, the FC 4 stays comfortable in dynamic contexts without losing the detailed character expected from a condenser.
Three polar patterns to adapt the capture to the room
Depending on the setup, you can choose the most relevant polar pattern: cardioid to isolate the source and reduce bleed, omnidirectional for a more natural and open image, or hypercardioid for an even tighter focus. This flexibility optimizes the balance between precision, room ambiance, and live control.
Technical specifications
| Frequency response | 20 Hz - 20 kHz |
| Category | studio microphone |
| Directivity | omnidirectional, cardioid |
| Connection | XLR |
| Color | Grey |
| Nominal mode power consumption (Wh) | 0 W |
| Type | small diaphragm condenser microphone |
| Electronics | discrete Class A, low noise |
| Design | transformerless |
| Diaphragm | 20 mm |
| Thickness | 3 µm, gold-sputtered |
| Equivalent noise level | 17 dB A-weighted |
| Max SPL | 140 dB |
| THD | less than 1% |
| Sensitivity | 14.5 mV/Pa |
| Pad | -10 dB |
| Filter | high-pass (switchable) |
| Impedance | 250 ohms |
| Load impedance | 1,000 ohms |
| Operating voltage | 48 V (phantom power) |
| Current consumption | 3 mA |
Questions frequently asked
What power supply is required for the Golden Age Audio FC4?
Connection is made via XLR and requires 48 V phantom power. The current consumption is specified as 3 mA.
Does the FC4 support a guitar amplifier or close percussion sources?
For powerful sources, the switchable -10 dB pad increases headroom before distortion. The maximum sound pressure level is 140 dB SPL, with total harmonic distortion below 1%.
Which polar patterns are available on this microphone?
Cardioid and omnidirectional polar patterns are specified in the features. The cardioid mode reduces bleed, while the omnidirectional mode provides a more open room capture.
Is this microphone suitable for acoustic guitar and piano?
Thanks to its sensitivity of 14.5 mV/Pa, this model captures playing nuances and transients. The frequency response ranges from 20 Hz to 20 kHz. The switchable high-pass filter helps reduce vibrations and excessive bass in these applications.
What capsule does the FC4 use?
Its 20 mm capsule features a 3 µm gold-sputtered diaphragm and discrete class A electronics without a transformer.



