Blackmagic Design Ultimatte 12 HD Mini
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Blackmagic Design
https://www.blackmagicdesign.com
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Ultimatte 12 Quality Designed for Compact HDMI Workflows
The Ultimatte 12 HD Mini brings the DNA of the Ultimatte 12 series into a 1U chassis in a one-third rack format, ideal when space in the control room is limited or for mobile installations. Designed for HDMI-oriented environments while maintaining 3G-SDI compatibility, it naturally integrates into a Blackmagic ecosystem, delivering consistent output in SD and HD up to 1080p60.
This "mini" approach does not compromise on quality: 10-bit processing, 4:2:2 sampling, and support for Rec 601 and Rec 709 color spaces preserve fine details (hair, transparencies, edges) and maintain believable skin tones during foreground/background blending.
A Compositing Tool for Live Control Rooms, E-Learning, Streaming, and Hybrid Sets
The Blackmagic Ultimatte 12 HD Mini targets content creators, educational studios, service providers, and live control rooms seeking a reliable, repeatable, and quick-to-set-up green screen keying solution. It simplifies the production of web shows, recorded lessons, music streaming, talk shows, or corporate sets with virtual backgrounds, while remaining suited to live broadcast constraints.
The presence of a dedicated monitoring output and cascade monitoring ensures confident decision-making in real conditions: you can check the keying, mattes, and layers without interrupting the program. Additionally, compatibility with Blackmagic Camera Control and tally (with compatible ATEM cameras and switchers) enhances communication between set and control room and speeds up production pace.
Key Features: Matte Precision, Layer Management, and Network Control
10-bit Processing for Clean Edges and Uniform Image
The 10-bit 4:2:2 processing chain aims for stable compositing, with smoother transitions on edges and better preservation of nuances. Rec 601 / Rec 709 support facilitates color alignment between sources and backgrounds for a more realistic result both live and in recording.
Comprehensive Internal Mattes for Precise Subject Isolation
To manage complex areas (shadows, reflections, screen edges, unwanted elements), the device handles internal mattes and dedicated layers: garbage, holdout, layer, and background. This increases precision in subject isolation and reduces spill, especially on wide shots or highly contrasted backgrounds.
Media Library and Control: A Quick-to-Configure Control Room
Ethernet connection up to 1 Gb/s allows fast loading of images and backgrounds into the library, while enabling automation (control via Ultimatte Software Control or network protocol). The 2.2-inch color front panel display speeds up on-site setup, while presets and control via USB-C simplify maintenance and updates.
Technical specifications
| Type | Digital mixing engine |
| SDI video inputs | 2 |
| SDI video outputs | 2 |
| HDMI video inputs | 2 |
| HDMI video outputs | 1 |
| Video input synchronization | on all inputs |
| SDI data rates | 270 Mb/s, 1.5G, 3G |
| Ethernet | up to 1 Gb/s for control and image loading into the library |
| Computer interface | 1 x USB-C 3.0 for configuration and updates |
| Monitor input | 1 x 3G-SDI for cascade monitoring |
| Return input | for camera control |
| SD | 525i59.94 NTSC, 625i50 PAL |
| HD | 720p50/59.94/60; 1080i50/59.94/60; 1080p23.98/24/25/29.97/30/50/59.94/60 |
| SDI compliance | SMPTE 259M, 292M, 296M, 424M, 425M level A and B |
| Video sampling | 4:2:2 |
| Color precision | 10 bits |
| Color space | Rec 601, Rec 709 |
| Support for multiple data rates | automatic SD/HD detection |
| Foreground (FG) | 1 x HDMI input |
| Background (BG) | 1 x HDMI input; image from media library |
| Background Matte (BG Matte) | internal window; image from media library |
| Garbage Matte (G Matte) | internal window; image from media library |
| Holdout Matte (H Matte) | internal window; image from media library |
| Layer | image from media library |
| Layer Matte | internal window; image from media library |
| Program (PGM) | 1 x HDMI; 1 x 3G-SDI |
| Monitor output 1 x 3G-SDI | Program, FG In, BG In, Combined Matte, Internal Matte, Fill Out, Layer In, Background Matte In, Garbage Matte In, Holdout Matte In, Layer Matte In, Processed Layer Matte, Processed Holdout Matte, Processed Garbage Matte, Processed Background Matte, Screen Correction |
| BG formats | TGA, TIFF, BMP, PNG, JPG |
| BG formats with alpha | TGA, TIFF, BMP |
| Layer formats | TGA, TIFF, BMP, PNG, JPG |
| Layer formats with alpha | TGA, TIFF, BMP |
| G Matte formats | TIFF, BMP, PNG, JPG |
| H Matte formats | TIFF, BMP, PNG, JPG |
| Internal memory | 6 GB non-volatile storage |
| Built-in display | 2.2-inch color screen for device name, video preview, standards, audio indicators, status, and menus |
| Front panel | 2.2-inch screen, 3 preset buttons, 3 menu buttons, dial |
| Control | via network or Ethernet on computer with Ultimatte Software Control or Ultimatte Smart Remote 4 |
| Software control | Ultimatte Software Control (Mac or Windows) |
| Hardware control panel | Ultimatte Smart Remote 4 |
| Camera control | Blackmagic Camera Control and tally supported with compatible ATEM cameras and switchers |
| Custom control | Ethernet protocol included in the Ultimatte user manual |
| Software updates | via USB-C or Ethernet |
| Configuration | IP address adjustable via front panel or Ultimatte Setup utility over USB |
| Operating systems | macOS 13 Ventura, macOS 14 Sonoma or later; Windows 10 64-bit, Windows 11 |
Questions frequently asked
Does the Ultimatte 12 HD Mini support HDMI cameras at 1080p60?
Both HDMI inputs support HD signals up to 1080p60, as well as SD formats. The program output is available on HDMI and 3G-SDI.
What SDI connectivity is available for a live control room?
The device includes 2 SDI inputs and 2 SDI outputs compatible with 270 Mb/s, 1.5G, and 3G rates. A dedicated 3G-SDI Monitor input allows for cascade monitoring.
Is the Blackmagic Design Ultimatte 12 HD Mini suitable for green screen keying for music streaming?
This model processes 10-bit 4:2:2 video and supports Rec 601 and Rec 709 color spaces. Garbage, holdout, layer, and background mattes enable precise isolation of artists and instruments on green screen backgrounds.
How is keying controlled and how are backgrounds loaded?
Control is performed via Ethernet up to 1 Gb/s, with image loading into the media library. A USB-C 3.0 port is provided for setup and firmware updates. The 2.2-inch front color display facilitates on-site adjustments.
Is tally and camera control usable with an ATEM?
Blackmagic Camera Control and tally compatibility is provided with compatible ATEM cameras and switchers via the dedicated Return input for camera control.



