Microtech Gefell UM92.1 S
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Manufacturer Information
Microtech Gefell
https://www.microtechgefell.de
info@microtechgefell.de
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Safety manager:
Microtech Gefell GmbH
Email: info@microtechgefell.de
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A Reference Tube Microphone, Carried by the Heritage of the M7 Capsule
The UM 92.1 S is part of the great tradition of studio tube microphones designed to deliver a rich and "large format" sound. At the heart of the microphone, the M7 capsule is selected for optimized polar response to maintain a stable image and natural balance regardless of the chosen polar pattern. This approach aims at a simple studio goal: to have a main microphone capable of immediately providing flattering body and presence without the need for excessive processing.
Who Is It For and What Are Its Studio Uses?
The Microtech Gefell UM 92.1 S targets demanding studios and home studios seeking a versatile tube condenser microphone, equally comfortable on intimate vocals as on more powerful takes. On vocals, it highlights a full low-midrange and smooth definition in the highs, with a typical tube circuit sense of depth. On solo instruments (brass, strings, acoustic guitar, amplifier), it helps capture a solid center and a "finished" image right from the recording.
The switchable polar pattern also opens the door to advanced recording techniques: figure-8 for face-to-face duets, Mid-Side recording (with a second cardioid mic), or better control of side reflections. In omnidirectional mode, you benefit from extended bass and a more natural room capture, ideal when the acoustics are well treated.
Features and Strengths: Polar Patterns, Tube, and Studio Integration
Polar Pattern Selection from the Power Supply: Real Daily Convenience
Polar pattern switching is done via a selector integrated into the UN 920.1 power supply. This is a tangible advantage in the studio: you adjust the polar pattern without handling the microphone, reducing handling noise and speeding up comparisons during a session. The on/off switch is also located on the front of the power supply for smooth use in a rack or on a studio desk.
An EF86 Tube Preamplifier Chosen for Its Sound Character
The UM 92.1 S features a tube preamplifier based on an EF86, a design renowned for its character and musicality. The tube is used in a proven architecture, with a focus on high sensitivity and a favorable signal-to-noise ratio for a tube microphone. The result: a recording that retains nuance in delicate passages while maintaining control when the source grows in intensity.
Designed for Real-World Setups: Cable Lengths and Connectivity
The UN 920.1 power supply delivers the polarization voltage required by the capsule as well as the DC voltages for the microphone electronics. For cable runs longer than 50 meters, the manufacturer recommends having the filament voltage adjusted by a technician to 5.8 V to maintain optimal operation over long distances. On the studio side, the rear of the power supply consolidates essentials: mains input with voltage selector, microphone output via 7-pin Tuchel connector, and audio output on a standard 3-pin XLR.
Finally, the microphone is offered in satin nickel or matte black, two discreet finishes that easily integrate into a professional microphone collection.
Technical specifications
| Frequency response | 40 Hz - 18 kHz | Capsule | Large Diaphragm |
| Category | studio microphone | Connection | XLR |
| Directivity | omnidirectional, cardioid, bidirectional | Color | Grey |
| Type | tube condenser microphone | Anode current | 1 mA |
| Diaphragm | large gold-sputtered plastic | Filament voltage | 5.8 V |
| Tube | EF86 | Filament current | 200 mA |
| Polar patterns | omni, cardioid, figure-8 | Role | provides capsule polarization voltage and DC voltages for the microphone preamplifier |
| Acoustic operating principle | pressure gradient transducer | Mains voltage | 115 V or 230 V |
| Sensitivity at 1 kHz | 15 mV / Pa | Mains frequency | 50 Hz or 60 Hz |
| Impedance | 200 ohms | Front panel controls | polar pattern selector, on/off switch |
| Equivalent noise level (CCIR 468-4) | 25 dB | Long cable recommendation | beyond 50 meters, have filament voltage adjusted by a technician to 5.8 V |
| Equivalent noise level (DIN EN 60651) | 17 dB-A | Microphone output connector | 7-pin Tuchel connector C 70/A |
| Signal-to-noise ratio (1 Pa at 1 kHz), CCIR weighted | 69 dB | Power supply rear connectivity | mains connector with voltage selector, 7-pin Tuchel to microphone, standard 3-pin XLR (audio output) |
| Signal-to-noise ratio (1 Pa at 1 kHz), A-weighted | 77 dB | Dimensions (L x Diameter) | 197 mm x 42 mm |
| Maximum SPL for 0.5% THD | 120 dB | Weight | 430 g |
| Total dynamic range of microphone preamplifier | 103 dB | Available finishes | satin nickel or matte black |
| DC power supply voltage | 120 V | ||
Questions frequently asked
Is the Microtech Gefell UM92.1 S suitable for recording sung vocals?
The M7 large diaphragm capsule and the EF86 tube preamplifier are designed to provide a full low-midrange and smooth detail in the high frequencies. The sensitivity of 15 mV/Pa at 1 kHz allows capturing the nuances of vocal performances.
What polar patterns are available on this tube microphone?
Three polar patterns are selectable: omnidirectional, cardioid, and figure-8 bidirectional. The selector is located on the UN 920.1 power supply, without handling the microphone. The figure-8 position is useful for face-to-face duet recordings or Mid-Side techniques with a second cardioid microphone.
What is the frequency response of the UM92.1 S?
The specified frequency response ranges from 40 Hz to 18 kHz.
What connectors are required with the UN 920.1 power supply?
The power supply uses a 7-pin Tuchel connector for the microphone connection and a 3-pin XLR audio output. Its mains input is designed for 115 V or 230 V at 50 or 60 Hz.
Can the microphone cable exceed 50 meters?
For connections beyond 50 meters, adjusting the filament voltage to 5.8 V by a technician is recommended. This procedure helps maintain proper microphone operation over long cable runs.



