Neumann U47 Fet
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- This item is covered for 3 years
What you need to know
What you need to know
- Iconic U 47 Signature thanks to the K 47 capsule and a grille inherited from the tube model, delivering smooth highs, lush mids, and clear lows.
- Exemplary SPL Handling up to 147 dB with -10 dB pad, ideal for kick drum, brass, and guitar amps.
- FET Electronics + Oversized Transformer offering a dynamic range of 119 dB and very low distortion.
- Integrated Controls pad, low cut, -6 dB attenuation, and unilateral swivel mount for precise placement.
Manufacturer Information
Neumann
https://www.neumann.com
contact@sennheiser.com
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Sennheiser electronic SE & Co.
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A Legendary Heritage, Redesigned for Modern Sources
A direct descendant of the legendary tube U 47 that shaped recordings from 1949 to 1960, the "U 47 fet" retains the large diaphragm K 47 capsule as well as a generous output transformer for a consistent sonic character. Its transistorized FET preamplifier section translates the vintage model's DNA into an architecture designed for today's studio demands, with more headroom and excellent performance at high levels.
Who Is It For and What Are Its Uses?
The "U 47 fet" is aimed at professional studios as well as demanding home studio users seeking a microphone that is both musical and robust. Its balanced response with a subtle bump in the upper midrange makes it formidable on kick drum, bass cabinets, brass, and guitar amps. It also shines on vocals, whether crooners or powerful singers, maintaining presence and definition in the mix.
Features and Sonic Advantages
Signature and Mastery of Extreme Levels
Thanks to its cardioid directivity and pressure gradient design, the "U 47 fet" captures the center of the source with authority while controlling ambient sound. The -10 dB pad extends SPL handling to 147 dB (THD 0.5%), while the low cut cleanly removes extreme low frequencies in close proximity, especially in front of a bass speaker or kick drum.
Control and Studio Integration
The pad and low cut switches are accessible on the rear of the body, and a switch near the XLR connector provides an additional -6 dB output attenuation to match vintage preamps with low headroom. The unilateral swivel mount facilitates precise positioning in front of the most demanding sources.
Technical specifications
| Frequency response - start | 40 Hz | Capsule | Large Diaphragm |
| Frequency response - end | 16 kHz | Connection | XLR |
| Category | studio microphone | Color | Grey |
| Directivity | cardioid | ||
| Acoustic principle | pressure gradient transducer | Phantom power required | 48 V |
| Frequency response | 40 - 16,000 Hz | Current consumption | 0.5 mA |
| Sensitivity at 1 kHz, 1 kOhm | 8 mV/Pa | Output impedance | 150 Ohm |
| Equivalent noise level, CCIR | 25 dB | Nominal load impedance | 1 kOhm |
| Equivalent noise level, A-weighted | 18 dB-A | Connector | 3-pin XLR |
| Signal-to-noise ratio, CCIR (rel. 94 dB SPL) | 69 dB | Included | wooden box and certificate |
| Signal-to-noise ratio, weighted (rel. 94 dB SPL) | 76 dB | Diameter | 63 mm |
| Max SPL for THD 0.5% | 137 dB | Length | 160 mm |
| Max SPL with pre-attenuation | 147 dB | Weight | 710 g |
| Max output voltage for THD <0.5% | -3.3 dBu | ||
Questions frequently asked
Is the Neumann U47 Fet suitable for kick drum and bass amplifiers?
It can handle up to 147 dB SPL at 0.5% distortion with the -10 dB pad engaged. The cardioid pattern and high-pass filter facilitate capturing a kick drum or bass cabinet.
What power supply is required for this microphone?
48 V phantom power is needed, with a current consumption of 0.5 mA. The XLR output has an impedance of 150 ohms and requires a nominal load of 1 kOhm.
What sound can be expected on vocals?
The large diaphragm K 47 capsule provides a frequency response from 40 Hz to 16 kHz, with a slight presence boost in the upper midrange. This signature is designed to retain definition and presence on crooner vocals as well as powerful registers.
Are the high-pass filter and pads built-in?
The -10 dB pad and high-pass filter switches are located at the back of the body. A switch near the XLR connector adds a -6 dB output attenuation for low headroom preamps. The maximum level without pre-attenuation is 137 dB SPL at 0.5% distortion.
What accessories come with this studio microphone?
A wooden box and a certificate are included. The unilateral swivel mount allows positioning in front of the sound source.



