Se Electronics T2

A microphone designed for precision, at the heart of a "studio" approach

The T2 belongs to the family of large-diaphragm studio microphones designed to offer faithful capture, usable in mixing, and easy to position in a recording environment. Its signature is based on an extended response and emphasis on micro-details: the goal is to preserve source clarity, especially when the arrangement becomes dense. With its multiple polar patterns, it naturally positions itself as a versatile studio microphone, capable of covering uses that usually require several references.

For whom and for what: from lead vocals to ambient recordings

The T2 is aimed at demanding home studios, content creators, and production studios looking for a microphone capable of switching from a "on-camera" vocal take to a more technical session (instruments, overheads, room). In cardioid, it is particularly effective at isolating a voice or close source while limiting room sound. In supercardioid, you gain even more focus, useful in imperfect booths or when monitors and side noises complicate the recording. In omni, the response becomes more natural in the low end and the openness increases: perfect for acoustic guitar, piano, or distant miking. Finally, the figure 8 mode opens the door to face-to-face duos, M/S recording, or more "produced" ambient captures.

What makes the difference: titanium diaphragm, multiple polar patterns, and dynamic control

Titanium diaphragm: sharp attacks, texture, and definition

The titanium diaphragm is a performance-oriented choice for transients: it helps preserve the pick attack, the snap of a snare drum, the precision of a consonant, or the "snap" of a slap bass. The result is a sense of clarity in the upper spectrum, with articulation that remains clear after compression and equalization. For vocals, this translates into a more controllable presence in the mix: you can seek intelligibility without necessarily hardening the overall sound.

4 polar patterns: a recording tool, not just a microphone

The polar pattern selector truly changes the way you work: you adapt the amount of room, depth, and source separation. In figure 8, side rejection is very useful to reduce unwanted reflections and structure the space. In omni, you capture more naturalness and less proximity effect, which simplifies low-end management on certain takes. This versatility makes the T2 an excellent choice if you are looking for a main microphone capable of covering multiple scenarios without multiplying purchases.

High SPL, low noise: a very wide usage range

With a Max SPL above 140 dB (at 0.5% THD, 1000 Hz), the T2 handles strong sources without distortion: brass, amps, percussion, powerful vocals. Its equivalent noise of 14 dB (A) remains discreet on delicate takes, which is appreciated for whispered vocals, sound design, instruments with fine dynamics, or ambient sounds. Paired with clean preamps and stable phantom power, it allows for a coherent recording chain, with a clear image and dynamics easy to work with.

Technical specifications

Frequency response - start	20 Hz	Capsule	Large Diaphragm
Frequency response - end	20 kHz	Connection	XLR
Category	studio microphone	Color	Black
Directivity	stereo, cardioid, figure-8, super-cardioid, Omni

Type	large-diaphragm studio microphone	Max SPL (0.5% THD at 1000 Hz)	greater than 140 dB
Diaphragm	titanium	Output impedance	less than or equal to 50 ohms
Sensitivity	28 mV/Pa (equivalent to -31 dBV/Pa, +/-1 dB)	Power supply	48 V phantom power (+/-4 V)
Equivalent noise	14 dB (A)