Strymon Big Sky Reverb
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Manufacturer Information
Strymon
https://www.strymon.net
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A Modern Reverb, Inspired by 50 Years of Classics
The BigSky was designed as a high-end "reverb hub": it incorporates the DNA of major reverb families (spring, plate, hall, room), while opening the door to more experimental and cinematic algorithms. Within the Strymon range, it targets those who want studio-class reverb in pedal format, capable of covering both organic sounds and futuristic soundscapes.
Who It's For and Which Styles the BigSky Excels In
Whether you are a guitarist or keyboardist, the BigSky suits both demanding musicians seeking realistic reverbs and ambient creators. It shines in blues and rock (expressive spring and plate), post-rock and ambient (Cloud, Bloom, Shimmer), and modern production where stereo and precise controls are crucial. In live settings, presets and Spillover secure sound changes; in the studio, stereo and conversion quality facilitate clean and detailed recording.
Controls, Presets, and Connectivity: A Pedal Designed to Play
On the front panel, seven knobs provide direct access to Decay, Pre-Delay, Mix, Tone, Mod, Param 1, and Param 2, with Param 1 and Param 2 assignable per preset to keep your favorite settings "at hand." The three metal footswitches allow preset selection and bypass, with an LED screen displaying essential information. The expression pedal input can control any parameter (or combination) and can also serve as an external Tap input (momentary) to manage pre-delay or decay time on Magneto and Nonlinear. The selectable speaker cabinet emulation is a real plus if you play without an amp (full-range PA, direct recording, headphones).
The Sound
The BigSky is renowned for its lush, wide, and inspiring reverb with a very "studio" sense of space. It can remain musical and transparent when desired or strongly color the signal to create airy soundscapes and immersive textures. Its dynamic response highlights attack and right-hand playing, while the Freeze and Infinite Sustain modes transform a simple note into a harmonic backdrop, ideal for intros, interludes, and endings.
Technical specifications
| Effects | Reverb | Type | sector |
| Format | Pedal | Use | electric guitar |
| EQ | Tone | Color | Blue |
| 12 reverb engines | Room, Hall, Plate, Spring, Swell, Bloom, Cloud, Chorale, Shimmer, Magneto, Nonlinear, Reflections | Analog dry path | dry signal without latency, never converted to digital |
| Front panel controls | Decay, Pre-Delay, Mix, Tone, Mod, Param 1, Param 2 (Params assignable per preset) | Typical signal-to-noise ratio | 115 dB at 50% wet (120 dB at 100% dry, 109 dB at 100% wet) |
| LED display | preset info, decay time, extended control | Frequency response | 20 Hz to 20 kHz |
| Multicolor preset LEDs (green | active preset, amber: edited preset) | Maximum input level | +8 dBu (instruments and line level) |
Questions frequently asked
What types of reverb are available on the Strymon BigSky Reverb?
The 12 algorithms cover Room, Hall, Plate, Spring, Swell, Bloom, Cloud, Chorale, Shimmer, Magneto, Nonlinear, and Reflections. The Cloud, Bloom, and Shimmer modes are designed for immersive pads and textures.
Does the BigSky operate in stereo and with line-level signals?
The maximum input level reaches +8 dBu, allowing use with instruments and line-level sources. The frequency response extends from 20 Hz to 20 kHz.
Can presets be saved and switched quickly during a live show?
Three metal footswitches handle preset selection and bypass, while the LED display shows the preset and decay time. Multicolor LEDs indicate an active preset in green and an edited preset in amber. Spillover preserves reverb tails when changing sounds.
How to use an expression pedal with this reverb?
The dedicated input allows assigning an expression pedal to any control or a combination of controls. It can also accept a momentary Tap switch to control the pre-delay and decay in Magneto and Nonlinear modes.
Does the dry signal undergo digital conversion?
The dry path is analog, with no latency and no digital conversion. The typical signal-to-noise ratio is 115 dB with the mix set to 50% wet.



