Behringer BM-14M Analog Delay
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The essentials to know about the BM-14M Analog Delay pedal
The essentials to know about the BM-14M Analog Delay pedal
- BBD-type analog delay: warm, organic repeats with a natural high-frequency roll-off for a truly "vintage" sound.
- Short range ideal for rhythmic playing: perfect for slapback and tight echoes (30 ms to 550 ms in "Short" range).
- Much more than a simple delay: tap tempo, modulation via LFO, and effect level control to go from subtle thickening to moving textures.
- Designed for modern pedalboards: bypass, advanced routing (dedicated outputs), and extended control options (MIDI and control inputs).
Manufacturer Information
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In the tradition of legendary "bucket brigade" analog delays
The BM-14M follows the great tradition of BBD (bucket brigade) analog delays: a rounder repetition than a digital delay, less "bright," with a very musical sense of depth. This is the type of echo that has marked countless recordings, both to thicken a rhythm guitar and to add dimension to a lead without overloading the mix.
Its spirit recalls studio and stage analog delays appreciated for their character, notably in the world of Moogerfooger-inspired delays: a full, lively sound and an approach that encourages both quick tweaking and exploration.
Who is the BM-14M for, and in which styles does it make a difference?
The BM-14M is aimed at guitarists who want a credible and expressive analog delay, but also at bassists and texture-oriented musicians (synths, hybrid setups) seeking a less "clinical" repetition than a digital delay. In blues and rock, it excels on short echoes and punchy slapback. In indie, pop, shoegaze, or post-rock, it becomes a depth tool, ideal for widening arpeggios and supporting a melody.
In a live context, its synchronization functions and direct controls make adjustments between songs easy. In studio, its analog grain helps place the guitar (or synth) in space, with a particularly flattering sense of texture on clean and slightly crunchy sounds.
Settings, controls, and design: from quick adjustment to sound creation
At the heart of the BM-14M, you'll find the essentials expected from a delay: Delay Time to set the interval between repeats, Repeat (feedback) to manage the number of echoes, and Level to balance the effect volume relative to the dry signal. This "three-gesture" logic allows finding a good setting in seconds, exactly what you want from an analog delay pedal on a pedalboard.
But the BM-14M goes further: a Short/Long range selector allows engaging short delays (perfect for 30 ms to 550 ms) while opening access to longer times for wider ambiances. The tap tempo facilitates rhythmic setup on stage, and the LFO modulation section adds movement (light chorus, vibrato, controlled instability) to transform a simple echo into texture.
The connectivity and control possibilities are also part of the BM-14M's DNA: in addition to standard input/output, dedicated outputs allow finer wet/dry management, and control options (including MIDI and control inputs) integrate easily into a modern setup, from controlled pedalboards to more creative studio routing.
Sound signature
The BM-14M's signature is its warmth and slightly "textured" character typical of analog: repeats remain clear but naturally round off, avoiding masking the pick attack or the snap of fingerstyle playing. On a short setting, you get an expressive slapback that instantly thickens. Increasing the Repeat makes the delay enveloping and can lead to very present tails, with natural saturation and compression that are more musical than "surgical."
If you like analog delays with strong personality, often found in rigs oriented towards alternative rock, ambient, and studio (like some Moogerfooger family delays used to sculpt space), the BM-14M targets precisely that feeling: an organic depth, responsive to playing, and inspiring from the first chords.
- The BM-14M Analog Delay enclosure is stage-ready.
Technical specifications
| Effects | Delay | Type | sector |
| Technology | Analog | Use | electric guitar |
| Format | Pedal | Color | Black |
| Bypass | with possible echo tail management depending on the mode | Control inputs | 6.35 mm jack (expression / control) |
| Repeat setting | feedback | MIDI input | 5-pin DIN |
| Level setting | effect level | Housing material | metal |
| Additional settings depending on configuration | mix, output level, drive, LFO modulation (waveform, speed, depth) | Power supply | 9V DC (center-negative) |
| " Short " range | 30 ms to 550 ms | Battery operation | not supported |
| " Long " range | up to 1200 ms | Dimensions | 85.9 x 147.6 x 196.9 mm |
| Tap tempo | yes | Weight | 1.1 kg |
| Modulation | via LFO | Battery | not included (and not compatible) |
| Wet/dry routing | via dedicated outputs | Required voltage | 9V DC |
| Audio input | 6.35 mm unbalanced jack | Power consumption | 400 mA |
Questions frequently asked
What is the maximum delay time of the Behringer BM-14M?
The Short range covers 30 ms to 550 ms, while the Long range reaches up to 1200 ms. The Short/Long switch allows access to short echoes as well as more spaced repetitions.
Does the BM-14M offer tap tempo and modulation?
A tap tempo is integrated to set the repeat tempo. The LFO section allows adjusting the waveform, speed, and modulation depth.
What power supply is required for this delay pedal?
The required power supply is 9 V DC, with a consumption of 400 mA. Battery operation is not supported. Therefore, a suitable mains power adapter is necessary.
Can an expression pedal or MIDI be used with this delay?
There are dedicated 6.35 mm jack inputs for expression or control, as well as a 5-pin DIN MIDI input.
What sound does a BBD analog delay like this produce?
BBD repeats have a warmer and less bright character than a digital delay. On the BM-14M, the Drive control can add saturation and compression to the repeats.



