Viscount LEGEND ONE 61
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- This item is covered for 3 years
The essential facts about the 61-key waterfall stage keyboard
The essential facts about the 61-key waterfall stage keyboard
- 61-key waterfall keyboard designed for organ playing, with 4 response curves and a Fixed mode to adapt the touch to each player.
- Dual TMT and HDS sound engine combining tonewheel modelling, high-definition sample banks, 119 additional sounds and 22 bass models.
- Comprehensive architecture with 3 independent parts, 4 sound layers, 20 harmonic drawbars, 3 external zones and memory for 396 programs.
- Serious stage connectivity with multiple audio outputs, an 11-pin connector for a rotary cabinet, full MIDI, USB audio/MIDI and numerous pedal inputs.
Manufacturer Information
Viscount
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A keyboard designed for organists who want to get straight to playing
With its straightforward layout, physical drawbars and waterfall action, this keyboard clearly belongs to the world of stage instruments dedicated to the organ. It is aimed at musicians looking for an immediate response under the fingers, quick editing on stage and the ability to expand their palette with electric pianos, synths, pads and even basses played from the pedalboard.
Its design, divided into several independent sections, gives it genuine flexibility, whether for jazz, gospel, vintage rock, pop or liturgical and studio applications. This is an instrument that focuses above all on ergonomics, customization and real-time sound control.
Keyboard design
The 61-note C-to-C waterfall keyboard features a light, fast action, particularly well suited to organ techniques such as glissandi, rapid repetitions and precise attacks. The 4 velocity curves plus 1 fixed mode allow you to fine-tune the response to your playing, while the Single, Split and Dual modes make it easy to divide the keyboard between several registers. The plus or minus 6-semitone transposition and plus or minus 2-octave range shift provide genuine flexibility for group playing, accompaniment or rapid key changes.
Sound quality
The organ section is based on TMT technology, âTonewheel Modeling Technologyâ, with 91-note polyphony and several models inspired by major electromechanical instruments, along with pipe organs and more vintage tonal colors. The Sound 1/2 section uses HDS technology, âHigh Definition Samplingâ, with 240-voice polyphony and 119 sounds covering pianos, electric pianos, synths, pads, strings, choirs, brass, guitars, chromatic percussion, bells and other keyboards. The Pedals section combines TMT and HDS to offer 22 bass models. The whole instrument is designed for high-quality external amplification, with highly detailed rotary cabinet simulation, a variety of reverbs, master EQ and advanced audio routing.
Built-in effects
The effects section offers a very comprehensive palette for live playing and sound shaping: Tremolo, vibrato, chorus, flanger, Phaser, wah, amp simulation, delay, ring mod, 3- and 5-band parametric EQs, 5-band graphic EQ, compressor and simple rot. It also includes 108 effects presets, 13 types of reverb, a programmable 3-band master EQ and a highly advanced Rotary Speaker section with Fast, Slow and Stop speeds, drive control, 8 presets plus 1 user configuration and numerous editing parameters.
Technical specifications
| Effects | Wah, Reverb, Delay, EQ, Chorus, Flanger, Phaser, Ring modulation, Vibrato | Split & layer | layer, split |
| Bluetooth | No | Max polyphony | 36 to 240 notes |
| Controller | Pitchbend, Modulation, Drawbars | USB to Host port | Yes |
| Velocity sensitive | Yes | Inputs | Expression pedal, Line in, Control pedal |
| MIDI DIN I/O | Yes | Outputs | Leslie, Stereo jack, USB Type B, Mono & stereo audio, Analog, 6.5 mm headphone, USB Type A |
| Number of keys | 61 | Color | Black |
| Touch | Semi-weighted | Finishing | Matt |
| Keyboard type | waterfall | Advanced Rotary settings | model selection, mic configuration, Memphis style, Stop position, drum/horn balance, rotor speeds, ramp-up and ramp-down times, direct level, output level, EQ |
| Range | C to C | Additional controls | audio routing, reverb send, octave shift, keyclick, crosstalk, hum level, preamp ao-28, key comp, swell mode |
| Touch curves | 4 curves + 1 Fixed | Organ models | B3 1938, C3 1955, B3 1967, BC 1936, B3 1956, A100 1961, Baroque Pipe, Romantic Pipe, Symph Pipe, Farf Organ, Vx Organ |
| Keyboard modes | Single, Split, Dual | Number of sounds | 119 |
| Transpose | ±6 semitones | Categories | pianos, electric pianos, synths, pads, strings, choirs, brass, guitars, chromatic percussion, bells, keyboards, and others |
| Octave | ±2 octaves | Technologies | TMT + HDS |
| Technology | TMT "Tonewheel Modeling Technology" | Controls | audio routing, reverb send, octave shift, pedals sustain, filter cutoff, layer/split mode, velocity mode, thud mode |
| Polyphony | 91 | Number of bass models | 22 |
| Harmonic percussion | On/Off, Soft/Normal, Decay Fast/Slow, Harmonic 3rd/2nd | Models | T.Wheel Bass, Baroque Bass, Romantic Bass, Symph Bass, Farf Bass, Vx Bass, Organ Bass, Acoustic Bass, Finger Bass, Fretless Bass, Picked Bass, Slap Bass, Rhod Bass, Dark Pk Bass, Synth Bass 1, 2, 3, 4, 5, 6, Fat Bass, DX Bass |
| Vibrato/chorus | Upper and Lower On/Off, selector V1, V2, V3, C1, C2, C3, 4 presets | Master keyboard | 3 external zones |
| Rotary Speaker | On/Off, speeds Fast, Slow, Stop, Drive, 8 presets + 1 Custom | Assignment | Upper, Lower, and Pedals |



